Friday, March 6, 2009

Portraits



I love shooting portraits. Every person has such a unique look, like a snowflake, no two people are exactly alike. When shooting portraits of women vs men, it is important to me to maintain the manliness of the male as well as the softness of the female. When it comes to children, rarely ever do I find I need to retouch their skin, their skin is usually flawless. As we age, some people age more gracefully than others, or some have had skin conditions that left marks from the dreaded teen years!

What I have found with people wanting portraits, is it is definitely important to not recreate them in Photoshop, but rather gently soften the skins normal conditions. There are those who don't want to see themselves as they really are, but for the most part, I have noticed most do want to see themselves as they are. As a photographer or an artist it is our job to see the shot and capture it, most flattering to the person you are shooting, but that doesn't mean you can't add to the portrait in post processing just enough to give that added umph factor.

I took a few portraits of my youngest daughter Lexi with my beau John, the other night. She has flawless skin, and he has the rugged look that thirty plus years add.



In post processing, I wanted to maintain the soft, feminine and youthful look of my daughter, without making her look plastic (over softening) so I opened the image up in Photoshop and did some basic adjustment commands to levels and contrast first. Then I created another layer via copy by pressing Ctrl J (PC shortcut/Mac has a different shortcut), then added a High Pass filter (set at 50%) and set it for Soft Light. Sometimes there are little adjustments needed like reducing the opacity of the layer if the filter seems too dark. Also check the eyes to make sure they haven't darkened too much, sometimes you may want to use the eraser tool to just remove the filter details over the eyes, so you don't lose detail in the iris, then flatten the image layers.

When you look at your composition at this point, you see the photo kind of pops! You definitely see more detail in your image, as well as some deepening of shadows and colors. You also will notice though, any blemishes or irregularities in the skin are more enhanced. At this point you want to soften those issues.

To soften the skin you make another layer via copy and go to filters. In filters find Blur, then go to Gausian Blur. You want to set it to approximately 10%, then go over to Opacity and reduce it to 50% as well. Make sure your background color is set to black, then while pressing Alt, go down to the bottom right of your layers window and press the Mask icon.

At this point I go to my tools and choose the paintbrush. I set the paintbrush to 100% and start going over the skin of my female model. You will see the blur accentuating the softness of her skin. If your male model seems to have a bit too much rough detail in his face, you might consider running the brush at 50% across his features. I did this with John in these shots, in my opinion it balanced the composition better. I hope this gave a little added ideas for portraits and post processing in Photoshop. Though I am not a master, I thought it would be a little fun to share my technique for portraits.

Tuesday, February 17, 2009

Website woes

I have been going through website woes. There are so many things I still need to do to my website to get it looking/working correctly. I have much respect for web designers. CSS is not your friend lol.
I had tried using a flickr slideshow for my Portfolio, but honestly I feel that it is less than professional having it shown through flickr slideshow. I like the ease of use and way it runs through your images, though having the viewer able to click the photos to go to flickr and see the comments made by friends/contacts I think takes away from the professionalism.
I have decided to use Photoshop Gallery, which is very clean and professional, but getting everything placed in the correct folders in your website template folder can be a bit daunting. I was able to get one Portfolio situated with guidence, but my forty year old brain seems to have forgotten how I accomplished this already! This will be my biggest angst.
On another note, when one works in so many mediums, it is difficult to narrow down the focus to just a few offerings. Do I focus on Murals, Paintings, Sculptures, Backdrops and Photography? Or do I merge Murals, Paintings and Backdrops into one Portfolio? Will a visitor spend the time going through pages and pages of website content? Or will they get bored clicking away? The thought pattern is geared from a visitors perspective, but what sort of visitors am I getting?
Html, Php, CSS...all are greek to me still, as foreign as going to another country and trying to understand what they are saying to you. I am trying to be patient, and learn slowly, but I have to confess sometimes it gives me, the website woes.

Monday, February 9, 2009

The Artist's Mind


As an artist, sometimes you go through creative moments when you feel like you are bordering on the edge of insanity....
One of my favorite photographers David Hobby, found this comic strip artist Aaron Johnson. I found a trip to his website can calm even the most stressful moments of creative blockage hehe. I believe this particular comic strip (above) truly captured the feelings I get at times.
I have been working diligently on a series of sculptures for my website for weeks now. It has been a little tedious to say the least, coming up with a set to show in my portfolio. Due to moving from California to Indiana, to Louisville, many of the pieces I had brought with me were damaged in the moves. Though it caused me to feel pretty disheartened, it also has allowed me to meet new challenges and step up my creative edge.
Please check in on my site within the next few weeks, there should be a few pieces added to my Sculpture Portfolio.